Friday, December 31, 2010

Victoria river mysteriously turns bright green


National Post: Victoria river mysteriously turns bright green
(Seems like someone was putting food dye into the water as they do for St Patrick's Day parades, IMHO. But just goes to show how easy it would be for anyone to poison a river.)
VICTORIA — Horrified nature-lovers at Goldstream Provincial Park watched as the Goldstream River turned bright green late Wednesday afternoon.

The fluorescent green colouring appeared to start about 500 metres on the Victoria side of the entrance to the park and, over the course of an hour, the substance flowed down into the environmentally sensitive estuary.

By 5:30 p.m. the river, known for its dramatic salmon runs, eagles and other wildlife, was back to its normal colour.

Ministry of Environment teams were immediately sent to the area to investigate and members of Langford Fire Department collected samples for analysis.

No dead fish or animals had been found by early evening.

Earlier in the day a fountain beside Veterans Memorial Parkway in Langford also turned bright green, said Langford Fire Chief Bob Beckett.

Victoria Times Colonist

(A comment on the article reveals who is probably doing it, and why:
My favourite artist, Olafur Eliasson.

He has done this to a few rivers around the world and watches and studies how the public and media react to the river.

http://www.olafureliasson.net/works/green_river_1.html

"Eliasson watches spectators [present and media forms] and studies their responses in a search for new ways of surprising them, of heightening their perceptions. When he talks about his Green River project, for example, it is mostly in terms of how the witnesses react. Green River involves dyeing a river green, and so far he has done it four times. In Tokyo, he says, ‘a lot of people stopped and looked… And of course they were stunned. I did it in a spot where the cherry blossom comes out a month later. It’s well known as a beautiful place. Actually the police came and. basically I ran away. And the police then put up posters asking anybody who had seen somebody suspicious to contact them. [He laughs.] I have a photograph of the poster.’

It is, as he puts it, ‘a kind of action’. He doesn’t seek permission (though he makes sure the dye is safe) and he doesn’t give notice; he also picks fairly small sites and it’s all over in two or three hours. ‘If you do it on a big stage the mediation of the project immediately becomes quite sensational. I’ve tried to avoid that spectacular approach.’ The purpose of the project is the response. ‘Los Angeles, Stockholm, Tokyo are places where the relationship between the water and the city is completely different, and the way people experience and refer to the water in their local setting is very different. It has been interesting for me to investigate that relationship.’"

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